"Perhaps the most famous of the early Jewishmystical texts is the fifth century Sefer Yezirah (The Book of Creation). Thereis no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirelytransformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging themin
endless configurations, the mystic weanedhis mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
ASTHOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THISIS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
First Total
189
90
18
1+8
Add to Reduce
1+8+9
9+0
1+8
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search forrelationships andsequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for thereis always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imaginelooking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationshipbetween numbers, pictures of the mind, that were not obvious before. Thereis that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen worldlurks behind the facades we see of the numbers themselves."
THE DEATH OF GODS IN ANCIENT EGYPT
Jane B. Sellars 1992
Page 204
"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polardarkness, wrote these phrases of intense feeling:
Here were the imponderable processes and forces of the cosmos,harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. Theconviction came that therhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling thattranscended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10
Returning to the account of the story of Osiris, son of Cronosgod of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian yearconsisting of 360 days.
Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, hisevil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.
The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specificconstellation for that length of time.
A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72by 30, the years of Saturn'sabsence (and the mention of Osiris'sabsence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multpliedby the / Page205 / 12 signs also gives 25,920. (AndPlutarch has reminded us of 12)
If you multiply the unusual number72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.
This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernalequinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, andsubsequently to the to other zodiacal constellations.
Such a return after25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetryIn the heavens, but golden because it existed before the Egyptians experiencedheaven's changeability.
But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a
trifle offin his observations and calculations. In his published work, On the Displacement of the Solstitial andEquinoctial Signs, he
gave figures of 45" to 46" a year, while the truer precessional
lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less
than the figure of 25,920.
With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.
Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'
AN IMPORTANT POSTSCRIPT
Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has alwaysdelightedbudding mathematician.
Page 206
Somewhere along the way, according to Robert Graves,9became the number of lunar wisdom.12
This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its ownerpower and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9worlds, and another god was said to have been born of 9 mothers.
Robert Graves, in hisWhite Goddess, Is intrigued by the seemingly recurring quality of the number72in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, VenusMercury.
Gravessuggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' orcipher alphabets, which as genuine articles of Druidism were orally preserved andtransmitted forcenturies. He argues convincingly that the ancient poetry of Europe
was ultimatelybased on what its composers believed to be magical principles, the rudiments of which formed a closereligious secret for centuries. In time these were-garbled, discredited andforgotten.
Among the many signs of the transmission of special numbers he points out that the aggregate number of letterstrokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he thenmentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferiorconjunction and maximum western elongation'.13
Page 207
"...Feniusa Farsa, Graves equates this herowith Dionysus.Farsahas 72 assistants who helped him master the 72languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials
We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done forPtolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14
Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian
dogma, and rituals, are the refinement of a great body of
primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15
Frances A. Yates, historian of Renaissance hermetisma tells, us
the cabala had 72 angels through which the sephiroth (the powers
of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, PicoDella Mirandola, a Renaissance magus, introduced instead72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident
there are seventy-two of Pico's Cabalistconclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16
In Hamlet's Mill deSantillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)
The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from
the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary432 digits.
Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18
Whatever one may think-of some of these numbercoincidences, it becomes difficult to escape the suspicion that many signs (number andotherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of primeimportance.
With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
But one last word about mankind'sromance with numbercoincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to proveit by feeding -all the available scientificinformation. into a comuter. In his search for God 'breaking, through', he has become fascinatedby certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':
"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiationconstant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, orelectric constant, into the Bohr radius ekla almostexactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceiveit gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negativeeighteenth, for anotherI began to circle twenty-fourwherever it appeared on the Printout here' - he held it up his piece of stripped and stripedwallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.
So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
ASTHOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THE LIGHT IS RISING NOW RISING IS THE LIGHT
9
LANGUAGES
87
33
6
3
AND
19
10
1
7
NUMBERS
92
29
2
19
-
198
72
9
1+9
-
1+9+8
7+2
-
10
-
18
9
9
1+0
-
1+8
-
-
1
-
9
9
9
L
=
3
-
8
LANGUAGE
68
32
5
T
=
2
-
7
TALKING
74
29
2
N
=
5
-
7
NUMBERS
92
29
2
-
=
10
-
22
-
234
90
9
-
=
1+0
-
2+2
-
2+3+4
9+0
-
-
=
1
-
4
-
9
9
9
T
=
2
-
9
THE
33
15
6
E
=
5
-
3
ENGLISH
74
29
2
A
=
1
-
7
ALPHABET
65
29
2
-
-
8
-
19
-
172
73
10
-
-
4+6
-
1+9
-
1+7+2
7+3
1+0
-
-
8
-
10
-
10
10
1
-
-
-
-
1+0
-
1+0
1+0
-
-
-
8
-
1
-
1
1
1
-
-
-
-
-
LANGUAGE
-
-
-
L
=
3
-
2
L+A+N
27
9
9
A
=
1
-
2
G+U+A+G
18
18
9
N
=
5
-
3
E
5
5
5
-
-
32
-
8
LANGUAGE
68
32
32
-
-
3+2
-
-
-
6+8
3+2
3+2
-
-
5
-
8
LANGUAGE
14
5
5
-
-
-
-
-
-
1+4
-
-
-
-
5
-
8
LANGUAGE
5
5
5
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica andWinnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organismis to be constructed and how it is to function. Nature has succeeded better than we humans; for thegenetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"FOR THE GENETICCODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNADNA AND DNADNA AND DNA
NUMBER
9
The Search for the Sigma Code
Cecil Balmond
Page 45
"From ancient times number nine was seen as a full complement; it was the cup of special promise that brimmed over"
FROM ANCIENT TIMES NINE WAS SEEN AS A FULL COMPLEMENT
IT WAS THE CUP OF SPECIAL PROMISE THAT BRIMMED OVER
www.foxsports.com/golf/story/ernie-els-masters-10-m…
14 hours ago
07/04/2016 · Ernie Els misses 6 putts within four feet on the first hole. ... Golf; Ernie Els; ... Ernie Els made a disastrous 9 on the first hole of the Masters …
Ernie Els made a disastrous9 on the first hole of the Masters
Ernie Els shoots a 9 — yes, a 9 — on first hole of Masters ...
By Sean Gentille Published on Apr. 7, 2016
Something very bad happened to Ernie Els on the first hole of the Masters; he shot a (10)9.
A (10) 9. On the first hole. A (10) 9. He got on the green in three, then needed seven six putts to close it out. Six Five of them came within a couple feet. (They recalcluated after Els' round and came up with 9.)
Ernie Els shot a nine-under-par round of 63 to lead the ...
Ernie Els, two-time Masters ... Golf Home. Photos; Lists; News Archive; ... Something very bad happened to Ernie Els on the first hole of the Masters; he shot a 10 9 ...
ELS 36 ELS
ELS 9 ELS
ELS 531 ELS
531 ELS 531
Golf Central Blog Video: Els badly misses another 18-inch putt
January 7, 2016, 2:48 pm Ernie Els' 2016 is beginning a lot like 2015 ended, with yip-like misses.
Els missed an 18-inch par putt on his final hole Thursday at the BMW South African Open, his putt never touching the hole at the ninth.
THE JESUS MYSTERIES
TimothyFreke & Peter Gandy
1999
Page 177
THE GOSPELS ARE ACTUALLY ANONYMOUS WORKS, IN WHICH EVERYTHING WITHOUT EXCEPTION, IS WRITTEN IN CAPITAL LETTERS, WITH NO PUNCTUATION OR SPACES BETWEEN WORDS.
CITY OF REVELATION
John Michell 1972
"The great alchemists, whose ultimate aspiration was to procure the birth of a divinity amongmen found it necessary first to invoke within themselves the spirit they wished to share with others. In the same tradition Plato wrote that the man who aquires the art of stereometry, the likening of unlike things which is function of the canon, sanctifies not only himself but also the city and the age in which he lives. The thought behind these various expressions was that the state of a society is determinedby the individuals who comprise it; that the cosmic influences are manifest on earth through the medium of the human mind, and this is the instrument by which they may be controlled and held in balance. For the instument to be effective, it requires that the individual become aware of the current influences to which he is subject, and to this end the canon was devised; for by analogy with the dynamics of geometrical and numerological relationships, the world of phenomena is revealed as the product of archetyple forces, whose behaviour in any circumstances is predicatable once the nature is understood."
"the art of stereometry, the likening of unlike things"
THE ART OF STEREOMETRY
THE LIKENING OF UNLIKE THINGS
-
-
-
-
-
STEREOMETRY
-
-
-
S
=
1
-
1
S
19
10
1
T
=
2
-
1
T
20
2
2
E
=
5
-
1
E
5
5
5
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
O
=
6
-
1
O
15
6
6
M
=
4
-
1
M
13
4
4
E
=
5
-
1
E
5
5
5
T
=
2
-
1
T
20
2
2
R
=
9
-
1
R
18
9
9
Y
=
7
-
1
Y
25
7
7
-
-
44
-
11
STEREOMETRY
163
64
55
-
-
4+4
-
1+1
-
1+6+3
6+4
5+5
-
-
4
-
2
STEREOMETRY
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
-
-
4
-
2
STEREOMETRY
1
1
1
THE ART OF STEREOMETRY
-
-
-
-
-
STEREOMETRY
-
-
-
T
=
2
-
3
THE
33
15
6
A
=
1
-
3
ART
39
12
3
O
=
6
-
2
OF
21
12
3
S
=
1
-
11
STEREOMETRY
163
55
1
-
-
10
-
19
Add to Reduce
256
94
13
-
-
1+0
-
1+9
First Total
2+5+6
9+4
1+3
-
-
1
-
10
Reduce to Deduce
13
13
4
-
-
-
-
1+0
Second Total
1+3
1+3
-
-
-
1
-
1
Essence of Number
4
4
4
THE LIKENING OF UNLIKE THINGS
-
-
-
-
-
STEREOMETRY
-
-
-
T
=
2
-
3
THE
33
15
6
L
=
3
-
8
LIKENING
81
45
9
O
=
6
-
2
OF
21
12
3
U
=
3
-
6
UNLIKE
72
27
9
T
=
2
-
6
THINGS
77
32
5
-
-
16
-
25
Add to Reduce
284
131
32
-
-
1+6
-
2+5
First Total
2+8+4
1+3+1
3+2
-
-
7
-
7
Reduce to Deduce
14
5
5
-
-
-
-
-
Second Total
1+4
-
-
-
-
7
-
7
Essence of Number
5
5
5
-
-
-
-
-
STEREOMETRY
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
3
ART
39
12
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
11
STEREOMETRY
163
55
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
6
THINGS
77
32
5
-
-
-
-
-
5
-
-
-
-
-
-
26
-
44
Add to Reduce
540
225
45
-
1
2
9
4
5
12
7
8
18
-
-
2+6
-
4+4
Reduce to Deduce
5+4+0
2+2+5
4+5
-
-
-
-
-
-
1+2
-
-
1+8
-
-
8
-
8
Essence of Number
9
9
9
-
1
2
9
4
5
3
7
8
9
-
-
-
-
-
STEREOMETRY
-
-
-
-
1
3
5
6
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
6
-
A
=
1
-
3
ART
39
12
3
-
-
3
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
3
-
-
-
S
=
1
-
11
STEREOMETRY
163
55
1
-
1
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
6
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
3
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
9
T
=
2
-
6
THINGS
77
32
5
-
-
-
5
-
-
-
-
26
-
44
Add to Reduce
540
225
45
-
1
9
5
12
18
-
-
2+6
-
4+4
Reduce to Deduce
5+4+0
2+2+5
4+5
-
-
-
-
1+2
1+8
-
-
8
-
8
Essence of Number
9
9
9
-
1
9
5
3
9
FINGERPRINTS OF THE GODS
G Hancock1995
Page 287
"What one would look for, therefore, would be a universal language"
"WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"
WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
"ALL THE WORDS IN THE ENGLISH LANGUAGE ARE COMPOSED OUT OF THE TWENTY SIX LETTERS OF THE ALPHABET"
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
W
=
2
-
5
WORDS
79
25
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
E
=
5
-
7
ENGLISH
74
38
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
8
LANGUAGE
68
32
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
3
ARE
24
15
6
-
-
-
-
-
-
6
-
-
-
C
=
3
-
8
COMPOSED
90
36
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
3
OUT
56
11
2
-
-
2
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
6
TWENTY
107
26
8
-
-
-
-
-
-
-
-
8
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
L
=
3
-
7
LETTERS
99
27
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
8
ALPHABET
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
60
-
79
First Total
936
360
99
-
1
6
6
4
10
30
21
8
18
-
-
6+0
-
7+9
Add to Reduce
9+3+6
3+6+0
9+9
-
-
-
-
-
1+0
3+0
2+1
-
1+8
-
-
6
-
16
Second Total
18
9
18
-
1
6
6
4
1
3
3
8
9
-
-
-
-
1+6
Reduce to Deduce
1+8
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
Essence of Number
9
9
9
-
1
6
6
4
1
3
3
8
9
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellarRosetta Stone?
We believe there is a common language that all technical civilizations, no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the sameeverywhere:..."
R
=
9
-
7
ROSETTA
98
26
8
S
=
1
-
5
STONE
73
19
1
-
-
10
-
12
Add to Reduce
171
45
9
-
-
1+0
-
1+2
Reduce to Deduce
1+7+1
4+5
-
Q
-
1
-
3
Essence of Number
9
9
9
"...Is there in any sense an interstellarRosetta Stone?
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
5
THERE
56
29
2
-
-
2
-
-
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
3
ANY
40
13
4
-
-
-
-
4
-
-
-
-
-
S
=
1
-
5
SENSE
62
17
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
2
AN
15
6
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
12
INTERSTELLAR
153
54
9
-
-
-
-
-
-
-
-
-
9
R
=
9
-
7
ROSETTA
98
26
8
-
-
-
-
-
-
-
-
8
-
S
=
1
-
5
STONE
73
19
1
-
1
-
-
-
-
-
-
-
-
-
-
42
-
43
First Total
548
188
44
-
2
2
3
4
5
6
7
16
9
-
-
4+2
-
4+3
Add to Reduce
5+4+8
1+8+8
4+4
-
-
-
-
-
-
-
-
1+6
-
-
-
6
-
7
Second Total
17
17
8
-
2
2
3
4
5
6
7
7
9
-
-
-
-
-
Reduce to Deduce
1+7
1+7
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
Essence of Number
8
8
8
-
2
2
3
4
5
6
7
7
9
We believe there is a common language that all technical civilizations, no matter how different, must have.
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
W
=
5
-
2
WE
28
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
7
BELIEVE
60
33
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
5
THERE
56
29
2
-
-
2
-
-
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
C
=
3
-
6
COMMON
73
28
1
-
1
-
-
-
-
-
-
-
-
L
=
3
-
8
LANGUAGE
68
32
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
4
THAT
49
13
4
-
-
-
-
4
-
-
-
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
9
TECHNICAL
75
39
3
-
-
-
3
-
-
-
-
-
-
C
=
3
-
13
CIVILIZATIONS
168
69
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
2
NO
29
11
2
-
-
2
-
-
-
-
-
-
-
M
=
4
-
6
MATTER
77
23
5
-
-
-
-
-
5
-
-
-
-
H
=
8
-
3
HOW
46
19
1
-
1
-
-
-
-
-
-
-
-
D
=
4
-
9
DIFFERENT
87
51
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
4
MUST
73
10
1
-
1
-
-
-
-
-
-
-
-
H
=
8
-
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
-
-
66
-
88
First Total
979
403
61
-
6
4
3
4
10
18
7
8
9
-
-
6+6
-
8+8
Add to Reduce
9+7+9
4+0+3
6+1
-
-
-
-
-
1+0
1+8
-
-
-
-
-
12
-
16
Second Total
25
7
7
-
6
4
3
4
1
9
7
8
9
-
-
1+2
-
1+6
Reduce to Deduce
2+5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
7
Essence of Number
7
7
7
-
6
4
3
4
1
9
7
8
9
That common language is science and mathematics.
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
4
THAT
49
13
4
-
-
-
-
4
-
-
-
-
-
C
=
3
-
6
COMMON
73
28
1
-
1
-
-
-
-
-
-
-
-
L
=
3
-
8
LANGUAGE
68
32
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
7
SCIENCE
58
31
4
-
-
-
-
4
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
M
=
4
-
11
MATHEMATICS
112
40
4
-
-
-
-
4
-
-
-
-
-
-
-
23
-
41
First Total
407
164
20
-
3
4
3
12
5
6
7
8
9
-
-
2+3
-
4+1
Add to Reduce
4+0+7
1+6+4
6+1
-
-
-
-
1+2
-
-
-
-
-
-
-
5
-
5
Second Total
11
11
7
-
3
4
3
3
5
6
7
8
9
-
-
-
-
-
Reduce to Deduce
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
Essence of Number
2
2
7
-
3
4
3
3
5
6
7
8
9
The laws of Nature are the sameeverywhere:..."
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
L
=
3
-
4
LAWS
55
10
1
-
1
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
N
=
5
-
6
NATURE
79
25
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
ARE
23
15
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
4
SAME
38
11
2
-
-
2
-
-
-
-
-
-
-
E
=
5
-
10
EVERYWHERE
134
62
8
-
-
-
-
-
-
-
-
8
-
-
-
25
-
35
First Total
417
165
39
-
1
2
3
4
5
18
7
8
9
-
-
2+5
-
3+5
Add to Reduce
4+0+7
1+6+5
3+9
-
-
-
-
-
-
1+8
-
-
-
-
-
7
-
-
Second Total
12
12
12
-
1
2
3
4
5
9
7
8
9
-
-
-
-
-
Reduce to Deduce
1+2
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
Essence of Number
3
3
3
-
1
2
3
4
5
9
7
8
9
THE
ENGLISHLANGUAGE
TRANSMUTED INTO NUMBER
IS
ONE OF THE MAIN CONDUITS
THROUGH WHICH APPEAR CLEARERUNDERSTANDING
OF
THOSE REFRACTED PATTERNS AND SENSIBILITIES APPARENTLY RANDOM
DESCRIBINGENERGIES WHICH INTERMINGLED WITHIN THE GREAT HERE AND NOW
ARE
CONSIDERED
THE
CREATIVE LIVING EXPERIENCE
THE LIGHT IS RISING RISING IS THE LIGHT
FINGERPRINTS OF THE GODS
G Hancock1995
Page 287
"What one would look for, therefore, would be a universal language"
"WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"
"THE WORD FIRST USED FOR MAN IS LULLU"
"THE WORD FIRST USED FOR MAN IS 33333"
"THE WORD FIRST USED FOR MAN IS LULLU"
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-
The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ...
I hereby name it Babylon, home of the great gods.
The word used in the text is written phonetically, ba-ab-i-li, contrary to tradition, maybe to allow for the etymological explanation of the name as the ‘gate of the gods’.
Then he decides to create man, to serve the gods with offerings, so that they can be at leisure. The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found guilty of the war between the gods, his blood is used to create mankind. Here, it is unclear if Marduk or Ea creates mankind. Later in the text, Ea is specified as the creator of man. Finally, the gods praise Marduk, and give him fifty names that represent different aspects of his powers and sovereignty.
The text ends with instructions on how it should be passed on from generation to generation, and the command to worship Marduk, king of the gods.
ENUMA ELISH
The Babylonian Creation Myth
"The word used for man is lullu"
LULLU 33333 LULLU
"The word used for man is lullu"
-
-
-
-
-
LULLU
-
-
-
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
L
3
L
-
1
L
12
3
3
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
-
15
-
-
6
LULLU
78
15
15
-
1+5
-
-
-
-
7+8
1+5
1+5
-
6
-
-
6
LULLU
15
6
6
-
-
-
-
-
-
1+5
-
-
-
6
-
-
6
LULLU
6
6
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
1
-
-
--
-
-
--
-
-
1
ONE
1
-
-
-
-
-
2
-
-
--
-
-
--
-
-
2
TWO
2
-
-
-
-
-
-
-
3
3
3
3
3
-
-
3
occurs
x
5
=
15
1+5
6
4
-
-
--
-
-
--
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
--
-
-
--
-
-
5
FIVE
5
-
-
-
-
-
6
-
-
--
-
-
--
-
-
6
SIX
6
-
-
-
-
-
7
-
-
--
-
-
--
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
--
-
-
--
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
--
-
-
--
-
-
9
NINE
9
-
-
-
-
-
42
5
L
U
L
L
U
-
-
3
-
-
5
-
15
-
6
4+2
-
3
3
3
3
3
-
-
-
-
-
-
-
1+5
-
-
6
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6
-
-
3
3
3
3
3
-
-
-
-
-
-
-
-
-
-
6
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
-
-
3
occurs
x
5
=
15
1+5
6
5
L
U
L
L
U
-
-
3
-
-
5
-
15
-
6
-
3
3
3
3
3
-
-
-
-
-
-
-
1+5
-
-
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6
-
3
3
3
3
3
-
-
-
-
-
-
-
-
-
-
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-
The wordused for man is lullu, meaning a first, primitive man.The same word is used about the savage Enkidu in the Gilgamesh epic ...
-
-
-
-
-
LULLU
-
-
-
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
L
3
L
-
1
L
12
3
3
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
-
15
-
-
6
LULLU
78
15
15
-
1+5
-
-
-
-
7+8
1+5
1+5
-
6
-
-
6
LULLU
15
6
6
-
-
-
-
-
-
1+5
-
-
-
6
-
-
6
LULLU
6
6
6
B
=
2
-
-
BABYLONIA
-
-
-
-
-
-
-
2
B+A
3
3
3
-
-
-
-
2
B+Y
27
9
9
-
-
-
-
1
L
12
3
3
-
-
-
-
4
O+N+I+A
39
21
3
B
=
2
Q
9
BABYLONIA
81
36
18
-
-
-
-
-
-
8+1
2+3
1+8
B
=
2
Q
9
BABYLONIA
9
9
9
THE
LULLABY
-
LULLABY
-
-
-
1
L
12
3
3
1
U
21
3
3
1
L
12
3
3
1
L
12
3
3
1
A+B
3
3
3
1
Y
25
7
7
7
LULLABY
85
22
22
-
-
8+5
2+2
2+2
7
LULLABY
13
4
4
-
-
1+3
-
-
7
LULLABY
4
4
4
T
=
2
-
3
THE
33
15
6
L
=
3
-
4
LULL
57
12
3
B
=
2
-
6
BEFORE
51
33
6
T
=
2
-
3
THE
33
15
6
S
=
1
-
5
STORM
85
22
4
-
-
10
-
21
First Total
259
97
25
-
-
1+0
-
2+1
Add to Reduce
2+5+9
9+7
2+5
-
-
1
-
3
Second Total
16
16
7
-
-
-
-
-
Reduce to Deduce
1+6
1+6
-
-
-
1
-
3
Essence of Number
7
7
7
Tho' much is taken, much abides; and though
We are not now that strength which in old days
Moved earth andheaven; that which we are, we are;
One equal temper of heroic hearts, Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
"INRI" is an abbreviation for the Latin "Iesus Nazarenus, Rex Iudaeorum" ("Jesus the Nazarene, King of the Jews"), posted on the cross by order of the Roman procurator, Pontius Pilate.
THE LIGHT IS RISING RISING IS THE LIGHT
LOVE LOVE LOVE 999 LOVE LOVE LOVE
EVOLVE LOVE 99999 LOVE EVOLVE
DIVINE LOVE REAL 999 REAL LOVE DIVINE
DIVINE 9 LOVE 9 LOVE 9 DIVINE
THE EGYPTIAN BOOK OF THE DEAD
E. A. Wallace Budge
1899
OF LIVING NIGH UNTO RA
Page 397
Or,
"The Chapter of making the way into heaven nigh unto Ra "
Chap. cxxxi. 5]
[From the Papyrus of Nu (Brit. Mus. No. 10,477, sheets 17 and 18).)
Vignette: This Chapter is without vignette, both in the Papyrus of Nu and in the Saite Recension (see Lepsius, OF. cit., Bl. 54).
Text: (1)
THE CHAPTER OF HAVING EXISTENCE NIGH UNTO RA.
1 The overseer of the house of the overseer of the seal, Nu, triumphant, saith :-
"I am that god Ra who shineth in the night. Every "(2) being who followeth in his train shall have life in " the following of the god Thoth, and he shall give "unto him the risings of Horus in the darkness. The " heart of Osiris Nu, the overseer of the house of the overseer of the seal, triumphant, is glad (3) because "he is one of those beings, and his enemies have been "destroyed by the divine princes. I am a follower of "Ra, and [I have] received his iron weapon. (4) I "have- come unto thee, O my father Ra, and I have " advanced to the god Shu. I have cried unto the "mighty goddess, I have equipped the god Hu (5) and "I alone have removed the Nebt god from the path of "' Ra. I am a Khu, and I have come to the divine "' prince at the bounds of the horizon. I have met / Page 398 / [Chap. cxxxi. 6 " (6) and I havereceived the mighty goddess. I have "raised up thy soul in the following of thy strength, "and my soul [liveth] through thy victory and thy "mighty power; it is I who give commands (7) in "speech to Ra in heaven. Homage to thee, O great " god in the east of heaven, let me embark in thy boat, " O Ra, let me open myself out in the form of a divine "hawk, (8) let me give my commands in words, let me " do battle in my Sekhem (?), let me be master under "my vine. Let me embark in thy boat O Ra, in "peace, (9) and let me sail in peace to the beautiful " Amentet. Let the god Tem speak unto me, [saying], " 'Wouldst [thou] enter therein?' The lady, the "goddess Mehen, is a million of years, yea, two million "years in (10) duration, and dwelleth in the house of "Urt and Nif-urt [and in} the Lake of a million years; "the whole company. of the gods move about among "those who are at the side of him who is the lord of "divisions of places (?). And I say, 'On every road " and among (11) these millions of years is Ra the lord, "and his path is in the fire; and they go roundabout "behind him, and they go round about behind him.'"
And I say, 'On every road " and among (11) these millions of years is Ra the lord, "and his path is in the fire; and they go roundabout "behind him, and they go round about behind him.'"
GODS AND SPACEMAN IN THE ANCIENT EAST
New evidence on the unexplained mysteries of civilization in the ancient East
W. Raymond Drake 1968
Page 135
Children of impotent revolt) into the eastern part of heaven, whereupon there arose a battle in heaven and in all the earth.
'O Thou, who art in the Egg (i.e. Ra) who shinest from thy disk and risest in thy horizon and dost shine like gold above the, sky, like unto whom there is none among the Gods, who sailest over the Pillars of Shu (the ether) who givest blasts of fire from the mouth (who makest the two lands bright with thy radiance deliver) the faithful worshippers from the God whose forms are hidden, whose eyebrows are like unto the two arms of the balance on the night of the reckoning of destruction. Hieroglyphics in Ani's Papyrus represent Ra and Horus as human-headed birds which may be interpreted as meaning Spacemen.
This description of a Celestial in a shining spacecraft speeding through the skies, blasting armies with fire, recalls those flaming `shields' mentioned in the Annales Laurissenses which in the year An 776 routed the Saxons besieging the Franks at Sigiburg."'
The same Chapter XVII continues:
`(112) . . . I know the being, Matchet, (the Oppressor) who is among them in the House of Osiris shooting rays of light from (his) Eye, but he himself is unseen. He goeth round about heaven robed in the flames of his mouth, commanding Hapi (lands of the Nile) but remaining himself unseen. . . . I fly as a hawk. I cackle as a goose. I ever slay, even as the Serpent Goddess, Nehebka....'
`(140) . . Thou livest according to thy will, thou art Uatchit, the Lady of the Flame, (141) Evil cometh among those who set themselves up against thee . . . (145) Uatchit, the Lady of the Flames, is the Eye of Ra....'
The ancient Stanzas of Dzyan honour the 'Lords of the Flame', Sanskrit Vedas mention 'Lords of Light', the Egyptian The Book of the Dead praises the 'Lady of the Flame'. Surely this suggests Extra-terrestrials with laser-light weapons dominating our Earth in far Antiquity?
Several references in The Book of the Dead are made to the `Shining Ones' possibly Wondrous Beings from the stars; the Bible would call them 'Angels of the Lord'.
`Behold, O ye Shining Ones, ye Men and Gods . . . Osiris. Ani is victorious over his foes in the heavens above and (on the earth) beneath in the presence of the god-like Rulers of all the Gods and Goddesses' (Chapter 134,15/17).
Hieroglyphics in Ani's Papyrus represent Ra and Horus as human-headed birds
THE MORNING OF THE MAGICIANS
Lois Pauwels and Jacques Bergier
1963
Page 226
"...dreams can foretell even distant future events,* and two German research workers, Moufang and Stevens, in a work entitled The Mystery of Dreams have cited a number of cases, which have been carefully checked, in which dreams revealed future events and led to important scientific discoveries.
The celebrated atomic scientist, Niels Bohr, when he was a student, had a strange dream. He saw himself on a Sun consisting of burning gas. Planets whizzed by, whistling as they passed. They were attached to the Sun by thin filaments, and revolved round it. Suddenly the gas solidified and the Sun and planets crumbled away. Niels Bohr then woke up and realized that he had just discovered the model of the atom, so long sought after. The 'Sun' was the fixed centre round which the electrons revolve. The whole of modem atomic physics and its applications have come out of this dream."
"He saw himself on a Sun consisting of burning gas. Planets whizzed by, whistling as they passed"
"The 'Sun' was the fixed centre round which the electrons revolve"
In 1913 Bohr perfected the Rutherford theory of the atom by an early use of quantum theory. An electron moving in a circle around the nucleus can be held in orbit by a balancebetween the electrostatic force of attraction to the nuclei and the centrifugal force due to its motion.
A HISTORY OF GOD
Karen Armstrong 1993
UNITY THE GOD OF ISLAM
Page 182
"As they converge on the Kaba, clad in the traditional pilgrim dress that obliterates all distinctions of race or class, they feel that they have been liberated / Page 183 / from the egotistic preoccupations of their daily lives and been caught up into a community that has one focus and orientation. They cry in unison; 'Here I am at your service, O al-Lah' before they begin the circumambulations around the shrine. The essential meaning of this rite is brought out well by the late Iranian philosopher All Shariati:
As you circumambulate and move closer to the Kabah, you feel like a small stream merging with a big river. Carried by a wave you lose touch with the ground. Suddenly, you are floating, carried on by the flood. As you approach the centre, the pressure of the crowd squeezes you so hard that you are given a new life. You are now part of the People; you are now a Man, alive andeternal. . .
The Kabah is the world's sun whose face attracts you into its orbit. You have become part of this universal system. Circumambulating around Al-lah, you will soon forget yourself. . . You have been transformed into a particle that is gradually melting and disappearing. This is absolute love at its peak.".
The RA Expeditions
Thor Heyerdal 1970
Page 14
"The largest reed boats in Peru were depicted as two deckers. Quantities of water jars and other cargo were painted in on the lower deck, as well as rows of little people, and on the upper deck usually stood the earthly representative of the sun-god the priest king, larger than all his companions, surrounded by bird-headed men who were often hauling on ropes to help the reed boat through the water. The tomb paintings in Egypt also portrayed the sun-god's earthly representative, the priest-king known as the pharaoh, like an imposing giant on his reed boat, surrounded by minature people, while / Page 15 / the same mythical men with bird heads towed the reed boat through the water.
Reed boats and bird-headed men seemed to go together, for some inexplicable reason. For we had found them far out in the Pacific Ocean too, on Easter Island, where the sun-god's mask, the reed boats with sails, and the men with bird heads formed an inseperable trio amomg the wall-paintings and reliefs in the ancient ceremonial village of Orongo, with its solar observatory. Easter Island, Peru, Egypt. These strange parrallels could hardly have been found further apart. Apparently they could hardly furnish better proof that men must have arrived independently at the same time in widely seperated places. Apparently. But what was even more strange was that the aboriginal people of Easter Island called the sun ra. Ra was the name for the sun on all the hundreds of Polynesian islands, so it could be no mere accident.Ra was also the name for the sunin ancient Egypt. No word was more important to the ancient Egyptian religion than Ra, the sun, the sun-god, ancestor of the pharaohs. The one who sailed reed boats, with an entourage of bird headed men. Giant monolithic statues as high as houses had been erected in honour of the sun-god's earthly priest-kings on Easter Island, in Peru and in ancient Egypt. And in all three places, solid rock had been sliced up like cheese into blocks as big as railway trucks and fitted together in stepped pyramids designed on an astronomical basis according to the movements of the sun. All in honour of the common ancestor, the sun, Ra. Was there some connection, or was it just coincidence?"
THE COSMIC SERPENT
Jeremy Narby
1
999
Page 53
"For several hours after drinking the brew, I found myself, although awake, in a world literally beyond my wildest dreams. I met bird-headed people, as well as dragon-like creatures who explained that they were the true gods of this world.
Page 54
After several minutes he found himself falling into a world of true hallucinations. After arriving in a celestial cavern where "a supernatural carnival of demons" was in full swing, he saw two strange boats floating through the air that combined to form "a huge dragon-headed prow, not unlike that of a Viking ship." On the deck, he could make out "large numbers of people with the heads of blue jays and the bodies of humans, not unlike the birdheaded gods of ancient Egyptian tomb paintings."
After multiple episodes, which would be too long to describe here, Hamer became convinced that he was dying. He tried call /Page 55/ ing out to his Conibo friends for an antidote without managing to pronounce a word. Then he saw that his visions emanated from "giant reptilian creatures" resting at the lowest depths of his brain. These creatures began projecting scenes in front of his eyes, while informing him that this information was reserved for the dying and the dead:
Page 53
"I met bird-headed people"
Page54
"not unlike the birdheaded gods of ancient Egyptian tomb paintings."
"large numbers of people with the heads of blue jays and the bodies of humans, not unlike the birdheaded gods of ancient Egyptian tomb paintings."
The RA Expeditions
Thor Heyerdal 1970
Page 15
Ra was also the name for the sunin ancient Egypt. No word was more important to the ancient Egyptian religion than Ra, the sun, the sun-god, ancestor of the pharaohs. The one who sailed reed boats, with an entourage of bird headed men.
"The one who sailed reed boats, with an entourage of bird headed men."
GODS AND SPACEMAN IN THE ANCIENT EAST
New evidence on the unexplained mysteries of civilization in the ancient East
W. Raymond Drake 1968
Page 135
Children of impotent revolt) into the eastern part of heaven, whereupon there arose a battle in heaven and in all the earth.
'O Thou, who art in the Egg (i.e. Ra) who shinest from thy disk and risest in thy horizon and dost shine like gold above the, sky, like unto whom there is none among the Gods, who sailest over the Pillars of Shu (the ether) who givest blasts of fire from the mouth (who makest the two lands bright with thy radiance deliver) the faithful worshippers from the God whose forms are hidden, whose eyebrows are like unto the two arms of the balance on the night of the reckoning of destruction. Hieroglyphics in Ani's Papyrus represent Ra and Horus as human-headed birds which may be interpreted as meaning Spacemen.
"Hieroglyphics in Ani's Papyrus represent Ra and Horus as human-headed birds
THE MAGIC MOUNTAIN
Thomas Mann
1875-1955
Page 888
"Now Isis, the Great One of the island, Eset, a millionfold fertile in guile, felt that her moment was come. Her wisdom embraced heaven and earth, like that of the old superannuated old Re himself. But there was one thing she did not know or command, and the lack of it / Page 889 / hampered her: she did not know the last, most secret name of Re, his very final one, knowledge of which would give power over him. Re had very many names, each one more secret than the one before, yet not utterly hopeless to find out, save one, the very last and mightiest. That he still witheld; whoso could make him name it, he could compel him and outdistance him and put him under his feet.
Therefore Eset conceived and devised a serpent, which should sting Re in his golden flesh."
"Then the intolerable pain of the sting, which only great Eset could cure who made the worm, would force Re to tell her his name. Now as she contrived it so was it fulfilled. The old Re was stung, and in torments was forced to come out with one of his secret names after another, always hoping that the goddess would be satisfied before they got to the last one. But she kept on to the uttermost, until he had named her the most secret of all, and the power of herknowledge over him was absolute. After that it cost her nothing to heal his wound; but he only got a little better, within the wretched limits in which so old a creature can; and soon thereafter he gave up and joined the great majority."
-
2
R
E
-
-
-
-
-
-
-
-
-
-
9
5
+
=
14
1+4
=
5
=
5
-
-
18
5
+
=
23
2+3
=
5
=
5
-
2
R
E
-
-
-
-
-
-
-
-
-
-
9
5
+
=
14
1+4
=
5
=
5
-
-
18
5
+
=
23
2+3
=
5
=
5
-
2
R
E
-
-
-
-
-
--
-
-
-
-
18
5
+
=
23
2+3
=
5
=
5
-
-
9
5
+
=
14
1+4
=
5
=
5
-
2
R
E
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
ONE
1
-
-
-
2
-
-
-
-
-
2
TWO
2
-
-
-
3
-
-
-
-
-
3
THREE
3
-
-
-
4
-
-
-
-
-
4
FOUR
4
-
-
-
5
-
-
5
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
31
2
R
E
-
-
14
-
-
2
-
14
3+1
-
9
-
-
-
1+4
-
-
-
-
1+4
4
2
R
E
-
-
5
-
-
2
-
5
-
-
9
5
-
-
-
-
-
-
-
-
4
2
R
E
-
-
5
-
-
2
-
5
1234 5 6789
2
R
E
-
-
-
-
-
--
-
-
-
9
5
+
=
14
1+4
=
5
=
5
-
18
5
+
=
23
2+3
=
5
=
5
2
R
E
-
-
-
-
-
--
-
-
-
9
5
+
=
14
1+4
=
5
=
5
-
18
5
+
=
23
2+3
=
5
=
5
2
R
E
-
-
-
-
-
--
-
-
-
18
5
+
=
23
2+3
=
5
=
5
-
9
5
+
=
14
1+4
=
5
=
5
2
R
E
-
-
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
9
-
-
-
9
occurs
x
1
=
9
2
R
E
-
-
14
-
-
2
-
14
-
9
-
-
-
1+4
-
-
-
-
1+4
2
R
E
-
-
5
-
-
2
-
5
-
9
5
-
-
-
-
-
-
-
-
2
R
E
-
-
5
-
-
2
-
5
OBJECTIVE REALITY
Poems and Essays
by
Lloyd C. Daniel 1985
Page 32
sun
energy
energy
energy
energy
energy
energy
energy
energy
energy
energy
rrrraaaaaaaahhhhhhhhhhhhhhhh!
Diameter of sun = 864,000 miles ( 12 x 12 x 6000 )
Diameter of moon = 2160 miles ( 6 x 6 x 60 )
Diameter of earth = 7920 miles ( 12 x 660 )
Mean circumference of earth = 24,883.2 miles (12 x 12 x 12 x 12 x 1.2)
Speed of earth round sun = 66,600 miles per hour
Distance between earth and moon = 6 x 60 x 660 miles or 60 x earth's radius
12 For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I knoweven as also I am known.
1 Corinthians 13:12 King James Version (KJV)
Bhagavad-Gita, iv, 5.
SRIKRISHNA’S REMEMBERING
‘Many lives, Arjuna, you and I have lived, I remember them all, but thou dost not.’
I
INCA
INCARNATION TO INCARNATION
WISDOM OF THE EAST
by Hari Prasad Shastri 1948
Page 8
"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespearecreated her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestorslong, long ago. used a word for creation that means 'projection'
SHRI
KRISHNA
SHRI KRISHNA KRISHNA SHRI
Brahma
If the red slayer think he slays,
Or if the slain think he is slain
They know not well the subtle ways
I keep and pass and turn again.
R.W.Emerson
Bhagavad-Gita
Text 19
" ya enam vettihantaram
yas cainam manyate hatam
ubhau tau na vijanito
nayam hanti na hanyate"
Bhagavad-Gita
As it is.
A. C. Bhaktivedanta SwamiPrabhupada
Translation Chapter 2 Page 99/100
"Neither he who thinks the living entity the slayer nor he who thinks it slain is in knowledge, for the self slays not nor is slain."
‘who is the slayer and who is the victim. Speak’,
Sophocles
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947
Page 217
" 'A man may be born, but in order to be born he must first die, and in order to die he must firstawake.' "
" 'When a man awakes he candie; when he dies he can be born' "
FOR MAN READ WOMAN FOR WOMAN READ MAN
FOR THE HE AZIN SHE THAT IS ME READ THE ME THAT IS THEE THAT THOU ART
THE TIBETAN BOOK OF THE DEAD
Or
The AfterDeath Experience on the Bardo Plane,
according to Lama Kazi Dawa-Samdup's English Rendering
Compiled and edited Edited by W. Y. Evans-Wentz 1960
Facing Preface To The Paperback Edition
'Thou shalt understand that it is a science mostprofitable, and passing all other sciences, for to learn to die. For a man to know that he shall die, that is common to all men; as much as there is no man that may ever live or he hath hope or trust thereof; but thou shalt find full few that have this calling to learn to die. . . . I shall give thee the mystery of this doctrine; the which shall profit thee greatly to the beginning of ghostly health, and to a stable fundament of all virtues. '- Orologium Sapientiae.
'Against his will he dieth that hath not learned to die. Learn to die and thou shalt learn to live, for thereshall none learn to live that hath not learned to die.'-Toure of all Toures: and Teacheth a Man for to Die.
The Book of the Craft of Dying (Comper's Edition).
'\Vhatever is here, that is there; what is there, the same is here. He who seeth here as different, meeteth death after death.
'By mind alone this is to be realized, and [then] there is no difference here. From death to death he goeth, who seeth as if there is difference here.'-Katha Upanishad, iv. 10-11 (SwamiSharvanallda's Translation)"
Facing Preface to the Second Edition
BONDAGE TO REBIRTH
"As a man's desire is, so is his destiny. For as his desire is, so is his will; and as his will is, so is his deed; and as his deed is, so is his reward, whether good or bad.
'A man acteth according to the desires to which he clingeth. After death he goeth to the next world bearing in his mind the subtle impressions of his deeds; and, after reaping there the harvest of his deeds, he returneth again to this world of action. Thus he who hath desire continueth subject to rebirth.' "
Brihadaranyaka Upanishad
FREEDOM FROM REBIRTH
'He who lacketh discrimination, whose mind is unsteady and whose heart is impure, never reacheth the goal, but is born again and again. But he who hath discrimination, whose mind is steady and whose heart is pure, reacheth the goal, and having reached it is born no more.'
Katha Upanishad.
(SwamiPrabhavananda's and Frederick
Manchester's Translations).
Page xi
SRI KRISHNA'S REMEMBERING
'Many lives Arjuna, you andI have lived.
I remember them all but thou dost not.'
Bhagavad Gita, iv, 5., iv, 5.
Page xx
"......... Denison........."
INCARNATION
THE DEAD RETURN
Daniel Easterman1998
Page 99
"........David........."
Page 3
"The old man's name was Dennison"
THE
PATH OF PTAH
THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF
THE
VIRGIN BIRTH IS TO BE REBORN OF WATER
AND
SPIRITGODS HOLY SPIRIT
AFTER
HAVING ENDURED
THE DEATH OF THE
I ME EGO SELF I SELF EGO ME I
WEIGHED IN THE BALANCE AND NOT FOUND WANTING
EVOLVE THEE THAT THOU OF LOVE LOVE LOVE OF THOU THAT THEEEVOLVE
ISISIS
THE RESURRECTION AND THE LIFE
UNLESS THAT HE AZIN SHE THAT IS THEE
IZ
BORN AGAIN AGAIN BORN
THOU CANST NOT ENTER THE KINGDOM OF EVEN
THE LIGHT IS RISING RISING IS THE LIGHT
2
IS
28
10
1
9
UNIVERSAL
121
40
4
4
MIND
40
22
4
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9
9
UNIVERSAL
121
40
4
4
MIND
40
22
4
2
IS
28
10
1
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9
E
=
5
-
2
EX
11
2
2
U
=
3
-
6
UMBRIS
82
28
1
E
=
5
-
2
ET
25
7
7
I
=
9
-
10
IMAGINIBUS
104
50
5
I
=
9
-
2
IN
23
14
5
V
=
4
-
9
VERITATEM
113
41
5
-
-
35
-
31
First Total
358
142
25
-
-
3+5
-
3+1
Add to Reduce
3+5+8
1+4+2
2+5
-
-
8
-
4
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
8
-
4
Essence of Number
7
7
7
O
=
6
-
3
OUT
56
11
2
O
=
6
-
2
OF
21
12
3
S
=
1
-
7
SHADOWS
89
26
8
A
=
1
-
3
AND
82
28
1
P
=
7
-
9
PHANTASMS
111
30
3
I
=
9
-
4
INTO
58
22
4
T
=
2
-
5
TRUTH
87
24
6
-
-
32
-
33
Add to Reduce
441
135
27
-
-
3+2
-
3+3
Reduce to Deduce
4+4+1
1+3+5
2+7
-
-
5
-
6
Essence of Number
9
9
9
WE ARE THE DEAD SHORT TIME AGO WE LIVED FELT DAWN SAW SUNSET GLOW
LOVED AND WERE LOVED AND NOW
?
I
ME
HUMAN INHUMANITY TO HUMAN
IN THE NAME OF GOD THE ALMIGHTY THE COMPASSIONATE THE MERCIFUL
1 2 3 4 5 6 7 8
2 4 6 8 1 3 5 7
3 6 9 3 6 9 3 6
4 8 3 7 2 6 1 5
5 1 6 2 7 3 8 4
6 3 9 6 3 9 6 3
7 5 3 1 8 6 4 2
8 7 6 5 4 3 2 1
Can you see? Reflect and mirror any number horizontal or vertical from x or y axis and you will equate 9. However if you reflect any number diagonal, from corner to corner, each number will reflect itself.
9 reflects itself within the polarity of the digits which equate it. Multiples of 9 count forwards and Backwards simultaneously
09 18 27 36 45 54 63 72 81 90
Who sees when you see?
A
MYSTERIOUSVOICE IN THE NIGHT SAID
SOMEONE SOMETHING SOMEWHERE WHO SHALL BE NAMELESS
ADDED THE GOLD WILLYNILLY ADDED THE GOLD.
ATUM 1234ATUM 1234ATUM 1234
........
The Ouroboros is an ancient symbol depicting a serpent or dragon eating its own tail. The name originates from within Greek language; (oura) meaning "tail" and (boros) meaning "eating", thus "he who eats the tail".
Ouroboros - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Ouroboros
The ouroboros or uroboros (/ˌjʊərəˈbɒrəs, ˌjʊəroʊ-/, from the Greek οὐροβόρος ὄφις tail-devouring snake) is an ancient symbol depicting a serpent or dragon eating its own tail.
The ouroboros or uroboros (/ˌjʊərəˈbɒrəs, ˌjʊəroʊ-/,[3] from the Greek οὐροβόρος ὄφις tail-devouring snake) is an ancient symbol depicting a serpent or dragon eating its own tail.
The ouroboros often symbolizes self-reflexivity or cyclicality,[4] especially in the sense of something constantly re-creating itself, the eternal return, and other things such as the phoenix which operate in cycles that begin anew as soon as they end. It can also represent the idea of primordial unity related to something existing in or persisting from the beginning with such force or qualities it cannot be extinguished. While first emerging in Ancient Egypt and India,[5] the ouroboros has been important in religious and mythological symbolism, but has also been frequently used in alchemical illustrations, where it symbolizes the circular nature of the alchemist's opus. It is also often associated with Gnosticism, Hermeticism and Hinduism.
Carl Jung interpreted the ouroboros as having an archetypal significance to the human psyche.[6] The Jungian psychologist Erich Neumann writes of it as a representation of the pre-ego "dawn state", depicting the undifferentiated infancy experience of both mankind and the individual child.[7]
The first known appearance of the ouroboros motif is in the Enigmatic Book of the Netherworld, an ancient Egyptian funerary text in KV62, the tomb of Tutankhamun, in the 14th century BC. The text concerns the actions of the god Ra and his union with Osiris in the underworld. In an illustration from this text, two serpents, holding their tails in their mouths, coil around the head and feet of an enormous god, who may represent the unified Ra-Osiris. Both serpents are manifestations of the deity Mehen, who in other funerary texts protects Ra in his underworld journey. The whole divine figure represents the beginning and the end of time.[8]
The ouroboros appears elsewhere in Egyptian sources, where, like many Egyptian serpent deities, it represents the formless disorder that surrounds the orderly world and is involved in that world's periodic renewal.[9] The symbol persisted in Egypt into Roman times, when it frequently appeared on magical talismans, sometimes in combination with other magical emblems.[10] The 4th-century AD Latin commentator Servius was aware of the Egyptian use of the symbol, noting that the image of a snake biting its tail represents the cyclical nature of the year.[11]
The Ouroboros represents in Hinduism an animal halo often in the form of a snake or lizard god or goddess. Shiva in Hinduism represents the duality of creation and destruction and thus the birth of life through opposites. This god is often represented within a circle. This circle represents the circular nature of the universe and time: death-rebirth, creation-destruction, love-hate, spring-winter; the eternal dance of the cosmos.
The psychotherapist Carl Jung explored the Hindu symbolism of the ouroboros: "Shakti is represented as a snake wound three and a half times round the lingam, which is Shiva in the form of a phallus."[12] Jung interprets the representation as meaning "the possibility of manifestation in space... Creation therefore begins with an act of division of the opposites that are united in the deity. From their splitting arises, in a gigantic explosion of energy, the multiplicity of the world."[12]
Wolf-Dieter Storl argues that "When Shakti is united with Shiva, she is a radiant, gentle goddess; but when she is separated from him, she turns into a terrible, destructive fury. She is the endless Ouroboros, the dragon biting its own tail, symbolizing the cycle of samsara."[13]
In ancient Indian texts Jyotiḥśāstra (Hindu astrology) pertaining to astronomy and astrology, Ahirbudhnya, the deity of the star Uttarabhadrapada (α-Andromedae), is also described to be a giant serpent guarding the treasures of the earth in the darkest depths of the oceans, and analogous to Ouroboros.[14] Commentaries by scholars who have studied these texts describe the deity as being closely related to Shiva - "The deity is Ahir Budhnya, the Serpent of the Deep Sea, and part of Lord Shiva's army which reflects the warrior nature of this lunar mansion." [15]
Greece[edit]
Plato described the ouroboros as the first living thing; a self-eating, circular being—the universe as an immortal, mythologically constructed entity.
The living being had no need of eyes because there was nothing outside of him to be seen; nor of ears because there was nothing to be heard; and there was no surrounding atmosphere to be breathed; nor would there have been any use of organs by the help of which he might receive his food or get rid of what he had already digested, since there was nothing which went from him or came into him: for there was nothing beside him. Of design he created thus; his own waste providing his own food, and all that he did or suffered taking place in and by himself. For the Creator conceived that a being which was self-sufficient would be far more excellent than one which lacked anything; and, as he had no need to take anything or defend himself against any one, the Creator did not think it necessary to bestow upon him hands: nor had he any need of feet, nor of the whole apparatus of walking; but the movement suited to his spherical form which was designed by him, being of all the seven that which is most appropriate to mind and intelligence; and he was made to move in the same manner and on the same spot, within his own limits revolving in a circle. All the other six motions were taken away from him, and he was made not to partake of their deviations. And as this circular movement required no feet, the universe was created without legs and without feet.[16][17]
In Gnosticism, a serpent biting its tail symbolized eternity and the soul of the world. The Gnostic text Pistis Sophia describes the disc of the sun as a 12-part dragon with his tail in his mouth.[18]
Norse legend[edit]
Engraving by Lucas Jennis, in alchemical tract titled De Lapide Philosophico.
In Norse mythology, the ouroboros appears as the serpent Jörmungandr, one of the three children of Loki and Angrboda, which grew so large that it could encircle the world and grasp its tail in its teeth. In the legends of Ragnar Lodbrok, such as Ragnarssona þáttr, the Geatish king Herraud gives a small lindworm as a gift to his daughter Þóra Town-Hart after which it grows into a large serpent which encircles the girl's bower and bites itself in the tail. The serpent is slain by Ragnar Lodbrok who marries Þóra. Ragnar later has a son with another woman named Kráka and this son is born with the image of a white snake in one eye. This snake encircled the iris and bit itself in the tail, and the son was named Sigurd Snake-in-the-Eye.[19]
Alchemy[edit]
Early alchemical ouroboros illustration. From the work of Cleopatra the Alchemist (Greco-Roman Egypt).
In alchemy, the ouroboros is a sigil. Swiss psychologist Carl Jung saw the ouroboros as an archetype and the basic mandala of alchemy. Jung also defined the relationship of the ouroboros to alchemy:[20]
The alchemists, who in their own way knew more about the nature of the individuation process than we moderns do, expressed this paradox through the symbol of the Ouroboros, the snake that eats its own tail. The Ouroboros has been said to have a meaning of infinity or wholeness. In the age-old image of the Ouroboros lies the thought of devouring oneself and turning oneself into a circulatory process, for it was clear to the more astute alchemists that the prima materia of the art was man himself. The Ouroboros is a dramatic symbol for the integration and assimilation of the opposite, i.e. of the shadow. This 'feed-back' process is at the same time a symbol of immortality, since it is said of the Ouroboros that he slays himself and brings himself to life, fertilizes himself and gives birth to himself. He symbolizes the One, who proceeds from the clash of opposites, and he therefore constitutes the secret of the prima materia which [...] unquestionably stems from man's unconscious.
The famous ouroboros drawing from the early alchemical text The Chrysopoeia of Cleopatra dating to 2nd century Alexandria encloses the words hen to pan, "one is the all". Its black and white halves represent the Gnostic duality of existence. As such, the Ouroboros could be interpreted as the Western equivalent of the Taoist Yin-Yang symbol.
The Chrysopoeia Ouroboros of Cleopatra the Alchemist is one of the oldest images of the ouroboros to be linked with the legendary opus of the Alchemists, the Philosopher’s Stone.
As a symbol of the eternal unity of all things, the cycle of birth and death from which the alchemist sought release and liberation, it was familiar to the alchemist/physician Sir Thomas Browne. In his A Letter to a Friend, a medical treatise full of case-histories and witty speculations upon the human condition, he wrote of it:
[...] that the first day should make the last, that the Tail of the Snake should return into its Mouth precisely at that time, and they should wind up upon the day of their Nativity, is indeed a remarkable Coincidence,
Chemistry[edit]
Kekulé's proposal for the structure of benzene (1872)
The German organic chemist August Kekulé described the eureka moment when he realized the structure of benzene:[21]
I was sitting, writing at my text-book; but the work did not progress; my thoughts were elsewhere. I turned my chair to the fire and dozed. Again the atoms were gamboling before my eyes. This time the smaller groups kept modestly in the background. My mental eye, rendered more acute by the repeated visions of the kind, could now distinguish larger structures of manifold conformation: long rows, sometimes more closely fitted together; all twining and twisting in snake-like motion. But look! What was that? One of the snakes had seized hold of its own tail, and the form whirled mockingly before my eyes. As if by a flash of lightning I awoke; and this time also I spent the rest of the night in working out the consequences of the hypothesis.
Kundalini Yoga[edit]
Ouroboros symbolism has been used to describe Kundalini energy. According to the second century Yoga Kundalini Upanishad, "The divine power, Kundalini, shines like the stem of a young lotus; like a snake, coiled round upon herself she holds her tail in her mouth and lies resting half asleep as the base of the body" (1.82). Another interpretation is that Kundalini equates to the entwined serpents of the caduceus of the Greek god Hermes, the entwined serpents representing divine balance in the west or, esoterically, DNA.
South American lowlands[edit]
Seal of the Theosophical Society - Door decoration at Kazinczy Street 55, Budapest (Hungary).
It is a common belief among indigenous people of the tropical lowlands of South America that waters at the edge of the world-disc are encircled by a snake, often an anaconda, biting its own tail.[22]
See also[edit]
Causality
Cyclic model
Cyclical pattern
Endless knot
Ensō
Eternal return (Eliade)
Eternalism (philosophy of time)
Feedback
Historic recurrence
Hoop snake
Infinite loop
Mircea Eliade – 20th century modernist application
Recursion
Strange loop
Three hares
Tsuchinoko
Armadillo lizard
AURYN
Valknut
The Worm Ouroboros - notable fictional appearance
References[edit]
Notes
1.Jump up ^ The Codex Parisinus graecus 2327 in the Bibliothèque Nationale, France, referred to in "alchemy", The Oxford Classical Dictionary, Oxford University Press, 2012, ISBN 0199545561
2.Jump up ^ Les civilisations de l'Asie, Casterman, ISBN 2-203-15707-0
3.Jump up ^ "uroboros". Oxford Dictionaries. Oxford University Press. Retrieved 2016-01-20.
4.Jump up ^ Soto-Andrade, Jorge; Jaramillo, Sebastian; Gutierrez, Claudio; Letelier, Juan-Carlos. "Ouroboros avatars: A mathematical exploration of Self-reference and Metabolic Closure" (PDF). MIT Press. Retrieved 16 May 2015.
5.Jump up ^ http://www.davidicke.com/forum/showthread.php?p=1062027032
6.Jump up ^ Eire, Carlos. (2010). A Very Brief History of Eternity. Princeton University Press.
7.Jump up ^ Neumann, Erich. (1995). The Origins and History of Consciousness. Bollington series XLII: Princeton University Press. Originally published in German in 1949.
8.Jump up ^ Hornung, Erik. The Ancient Egyptian Books of the Afterlife. Cornell University Press, 1999. pp. 38, 77–78
9.Jump up ^ Hornung, Erik. Conceptions of God in Egypt: The One and the Many. Cornell University Press, 1982. pp. 163–64.
10.Jump up ^ Hornung 2002, p. 58.
11.Jump up ^ Servius, note to Aeneid 5.85: "according to the Egyptians, before the invention of the alphabet the year was symbolized by a picture, a serpent biting its own tail, because it recurs on itself" (annus secundum Aegyptios indicabatur ante inventas litteras picto dracone caudam suam mordente, quia in se recurrit), as cited by Danuta Shanzer, A Philosophical and Literary Commentary on Martianus Capella's De Nuptiis Philologiae et Mercurii Book 1 (University of California Press, 1986), p. 159.
12.^ Jump up to: a b Freeman, Kathryn S. Blake's Nostos: Fragmentation and Nondualism in The Four Zoas. SUNY Press. p. 111. ISBN 978-1-4384-0329-8.
13.Jump up ^ Storl, Wolf-Dieter (14 September 2004). Shiva: The Wild God of Power and Ecstasy. Inner Traditions / Bear & Co. p. 219. ISBN 978-1-59477-780-6.
14.Jump up ^ "Uttarabhadrapada Ahirbudhnya Nakshatra* BP Lama Jyotisha". www.barbarapijan.com. Retrieved 2016-02-18.
15.Jump up ^ Harness, Dennis M. "Dennis M. Harness, Ph.D. - The Nakshatras of Vedic Astrology: Ancient & Contemporary Usage P9". www.dennisharness.com. Retrieved 2016-02-18.
16.Jump up ^ Plato, Timaeus, Jowett, Benjamin, trans, Hermetic
17.Jump up ^ Plato, Timaeus, Perseus
18.Jump up ^ Hornung 2002, p. 74.
19.Jump up ^ "Ouroboros". Crystalinks. Retrieved 2012-10-22.
20.Jump up ^ Carl Jung, Collected Works, Vol. 14 para. 513
21.Jump up ^ Read, John (1957). From Alchemy to Chemistry. pp. 179–180. ISBN 9780486286907.
22.Jump up ^ Roe, Peter (1986), The Cosmic Zygote, Rutgers University Press
BibliographyBayley, Harold S (1909). New Light On the Renaissance. Kessinger. – reference pages hosted by the University of Pennsylvania
Hornung, Erik (2002). The Secret Lore of Egypt: Its Impact on the West. Cornell University Press.
G
=
7
3
GOD
26
17
8
I
=
9
2
IS
28
19
1
-
-
16
5
Add to Reduce
54
36
9
-
-
1+6
-
Reduce to Deduce
5+4
3+6
-
Q
-
7
5
Essence of Number
9
9
9
T
=
2
3
THE
33
15
6
F
=
6
4
FIVE
42
24
6
P
=
7
7
PILLARS
87
33
6
O
=
6
2
OF
21
12
3
I
=
9
5
ISLAM
54
18
9
-
-
30
21
First Total
237
102
30
-
-
3+0
2+1
Add to Reduce
2+3+7
1+0+2
3+0
Q
-
3
3
Second Total
12
3
3
-
-
-
-
Reduce to Deduce
1+2
-
-
-
-
3
3
Essence of Number
3
3
3
BBC - Religions - Islam: Shahadah: the statement of faith
www.bbc.co.uk/religion/religions/islam/practices/shahadah.shtml
23 Aug 2009 - Shahadah. "There is no God but Allah, and Muhammad is his messenger." This is the basic statement of the Islamic faith: anyone who cannot recite this wholeheartedly is not a Muslim. When a Muslim recites this they proclaim: That Allah is the only God, and that Muhammad is his prophet.
Shahada - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Shahada
The Shahada (Arabic: الشهادة aš-šahādah audio (help. · info), "the testimony"; aš-šahādatān (الشَهادَتانْ, "the two testimonials"); also Kalima Shahadat [كلمة الشهادة, "the testimonial word"]), is an Islamic creed declaring belief in the oneness of God (tawhid) and the acceptance of Muhammad as God's prophet.
shahada
ʃaˈhɑːda/
noun
noun: shahada; plural noun: shahadas; noun: shahadah; plural noun: shahadahs
the Muslim profession of faith (‘there is no god but Allah, and Muhammad is the messenger of Allah’), one of the Five Pillars of Islam.
-
-
-
-
-
SHAHADA
-
-
-
S
=
1
-
1
S
19
10
1
H
=
8
-
1
H
8
8
8
A
=
1
-
1
A
1
1
1
H
=
8
-
1
H
8
8
8
A
=
1
-
1
A
1
1
1
D
=
4
-
1
D
4
4
4
A
=
1
-
1
A
1
1
1
-
-
24
-
9
SHAHADA
42
33
24
-
-
2+4
-
-
-
4+2
3+3
2+4
-
-
6
-
9
SHAHADA
6
6
6
-
-
-
-
-
-
-
-
-
-
-
6
-
9
SHAHADA
6
6
6
-
-
-
-
-
SHAHADA
-
-
-
S
=
1
-
2
S+H
19
10
1
H
=
8
-
2
A+H
8
8
8
A
=
1
-
3
A+D+A
1
1
1
-
-
24
-
7
SHAHADA
42
33
24
-
-
2+4
-
-
-
4+2
3+3
2+4
-
-
6
-
7
SHAHADA
6
6
6
-
-
-
-
-
-
-
-
-
-
-
6
-
7
SHAHADA
6
6
6
Shahada - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Shahada
The statement has two parts – la ilaha illa'llah (there is no god but God) and Muhammadun rasul Allah (Muhammad is the messenger of God). Though these ...
Terminology - Origin - Recitation - Use on flags
Shahada is a statement of both ritual and worship. The statement has two parts – la ilaha illa'llah (there is no god but God) and Muhammadun rasul Allah (Muhammad is the messenger of God).[8] Though these statements are both present in the Quran but not present side by side as in the Shahada formula, the shahada may be considered a "defining statement of what it means to be a Muslim".[8] In the Hadith, Angel Gabrieldefines Islam to Muhammad that he should "witness there is no god but God" and he is God's messenger. He was also asked to pay the "purification tax", performing the ritual prayer, fast during the month of Ramadan and make a pilgrimage to the Kaaba – these five pillars "are inherent" in this "declaration of faith."[9]
AS EASY AS PI
STUFF ABOUT NUMBERS THA'T ISN'T (JUST) MATHS
Jamie Buchanan 2015
FIVE
Page 101
As with several other numbers already mentioned; the number five is important to various religious faiths. In Islam, there are five sacred duties for all Muslims, known as the Five Pillars of Islam: Shahaadah— a declaration of faith in God alone, and in Muhammad as his prophet
Salah — prayers five times daily Zakat— giving to charity
Sawm — fasting from dawn to dusk during Ramadan Hajj — a pilgrimage to Mecca, which should be
made at least once in a Muslim's lifetime
Some branches of Islamprescribe more than fiveduties, adding a sixth or seventh pillar.
9 SHAHAADAH = 51-33-6 = SHAHAADAH 9
SALAH = 41-14-5 = SALAH
ZAKAT = 59-14-5 = ZAKAT
SAWM = 56-11-2 SAWM
HAJJ 29-11-2 HAJJ
SALAHZAKAT SAWMHAJJ =185-50-5 = HAJJ SAWMZAKAT SALAH